The relationship between Elvis Presley and Engelbert Humperdinck has long been the subject of speculation. At the height of Engelbert’s rise in the late 1960s, many fans and insiders believed that Elvis felt threatened by the newcomer’s sudden popularity and undeniable charm.
🌟 Quiet Competition, Loud Impact
In 1967, Engelbert stormed the UK charts with “Release Me,” keeping The Beatles’ “Strawberry Fields Forever” from reaching No. 1. This came at a time when Elvis was plotting his comeback after years of starring in forgettable films.
Industry insiders recall that Elvis wasn’t particularly pleased. Engelbert’s suave look, deep voice, and crooner appeal were drawing comparisons to Elvis himself. Rumors even circulated that the name “Engelbert” was banned backstage at some of Elvis’ shows.
🤐 No Public Trash Talk
Despite the whispers, there was never a public feud. Engelbert himself said: “I never had any issues with Elvis. I admired him deeply.” He recounted being invited to an Elvis concert in Las Vegas, where he was welcomed warmly.
As for Elvis, while he never publicly criticized Engelbert, close associates remember him joking: “That guy sings a bit too much like me.” Whether it was genuine concern or harmless jest, fans have speculated for decades.
🎙️ Similar Passions, Different Paths
Both artists excelled at turning ballads into timeless classics. But while Elvis embodied American rock & roll, Engelbert leaned into European romantic pop.
This distinction meant their audiences, though overlapping in some ways, were largely different. Songwriter Jerry Leiber noted: “They weren’t rivals. Just two stars in different galaxies.”
💌 Respect That Endured
After Elvis passed away in 1977, Engelbert continued to speak highly of him. He even performed tributes, including “Can’t Help Falling in Love,” to honor the King.
There’s no solid evidence that Elvis “hated” Engelbert. If anything, theirs was a classic example of mutual recognition, not hostility. As with many legendary figures, the myth often grows louder than the truth.
In the end, what remains is a shared legacy of unforgettable music, shaped by two voices that defined an era – in very different, but equally powerful, ways.