About the song
Released in 1977 as part of Bob Marley’s iconic album Exodus, “Coming In From The Cold” is a powerful and introspective track that reflects the political, social, and spiritual landscape of the time. The song is one of the standout moments of the album, capturing Marley’s enduring ability to blend personal struggle with universal themes of hope, redemption, and social justice. Exodus was a watershed album for Marley, marking a pivotal moment in his career and his personal life. It was also his first major international success after moving to London, following an assassination attempt on his life in Jamaica. The album, and particularly “Coming In From The Cold,” encapsulates Marley’s deep sense of resilience and his unwavering belief in the power of love and unity in the face of adversity.
Lyrically, “Coming In From The Cold” addresses the feeling of being disconnected or isolated, whether emotionally, socially, or politically. The idea of “coming in from the cold” symbolizes a return to warmth and safety, a metaphor for seeking refuge from the harsh realities of the world. Marley speaks of returning to a place of peace and solidarity, where one can find solace after a period of struggle and suffering. The song’s central message speaks to the universal desire for belonging and healing. It touches on themes of personal redemption and the hope of finding a sense of home, both literally and figuratively.
Musically, “Coming In From The Cold” is a perfect example of Marley’s ability to fuse reggae with elements of rock, funk, and soul, creating a timeless sound that appeals to a broad audience. The song’s rhythm is steady and compelling, its groove undeniable, yet it never overwhelms the message of the lyrics. The instrumentation — from the driving bassline to the lush keyboard melodies — serves to enhance the song’s reflective and meditative quality. As always, Marley’s distinctive vocal delivery infuses the song with raw emotion, imbuing every line with sincerity and conviction.
In terms of its social and cultural impact, “Coming In From The Cold” was released during a period of immense political upheaval, both globally and in Marley’s home country of Jamaica. It was a time when many were grappling with issues of identity, resistance, and revolution. The track resonates deeply with those seeking liberation, whether from external forces of oppression or from personal struggles. It is a song that speaks to the downtrodden, the disenfranchised, and those who have been marginalized by society. Through his music, Marley consistently advocated for the oppressed, and “Coming In From The Cold” serves as a reminder that there is always a way out of darkness, always a path to the light.
Beyond its social commentary, the song also contributed to Marley’s growing influence as a global peace icon. His messages of unity, love, and understanding transcended the boundaries of race, class, and nationality. With “Coming In From The Cold,” Marley further solidified his role as a spokesperson for the voiceless, someone who spoke not only to the struggles of the Jamaican people but to anyone who had ever felt left out or abandoned by society.
In conclusion, “Coming In From The Cold” is a deeply resonant track that showcases Bob Marley’s unique ability to blend socially conscious lyrics with infectious melodies. It is a testament to his ongoing quest for peace, unity, and understanding. The song remains a poignant reminder that, no matter the challenges we face, there is always the potential for healing and reconciliation. Bob Marley’s music continues to inspire listeners around the world, and “Coming In From The Cold” stands as one of his most significant contributions to the global music and peace movements.
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Lyrics
In this life, in this life, in this lifeIn this, oh sweet life We’re (we’re coming in from the cold) We’re coming in, we’re coming in (coming in) We’re coming in, we’re coming in (coming in) We’re coming in, we’re coming in (coming in) We’re coming in, we’re coming in (coming in) We’re coming in from the coldIt’s you, it’s you, it’s you I’m talkin’ toWell, you (it’s you) you (it’s you), you I’m talking to now Why do you look so sad and forsaken When one door is closed, don’t you know another is openWould you let the system make you kill your brotherman?No, no, no, no, no, no, no, dread, no Would you make the system make you kill your brotherman? (No, dread, no) Would you make the system get on top of your head again? (No, dread, no!) Well, the biggest man you ever did see was was just a babyIn this life (in this life)In this (in this life, oh sweet life) Coming in from the cold We’re coming in, we’re coming (coming in), coming in-a (coming in) Coming in (coming in), ooh (coming in) Coming in from the coldIt’s life (it’s life), it’s life (it’s life), it’s life (it’s life)It’s wa well, coming in from the cold We’re coming in (coming in), coming in (coming in) Ooh (coming in), hey (coming in) Coming in from the coldIt’s you, you, you I’m talkingWell, yes, you, bilyabong (it’s you) Ew, you I’m talking to now Well, why do you look so, look so, look so sad Look so sad and forsaken? Don’t you know, when one door is closed, when one door is closed Many more is open?Well, would you let the system get on top of your head again?No, no, no, no, no, no, no, no, no, dread, no Would you let the system make you kill your brotherman? No, dread, no Well, would you make the system get on top of your head again? (No, dread, no) no, no, no, no, no, no, no, no, no, no Well, the biggest, biggest man you ever, ever Did-a see was-a was-a once a babyIn this life, in this life, in this lifeIn this, oh, sweet life We’re (coming in from the cold) from the cold We’re coming in, we’re coming in (coming in), coming in (coming in) Coming in (coming in), wooh, yeah Coming in from the coldWe’re coming in-a, coming in-a, coming in-a, coming in-aYeah, yeah, yeah, yeah, yeah Coming in from the cold Coming in (coming in), coming in (coming in) (Coming in) (coming in) (Coming in) from the from the cold