
About the song
Ah, a fascinating selection, one that offers a unique glimpse into the collaborative spirit and raw energy of two iconic figures in American music. The pairing of Bob Dylan and Johnny Cash, even in a seemingly informal setting like this “Take 1” of “Wanted Man,” is inherently noteworthy, a meeting of two distinct yet complementary forces that shaped the landscape of popular music for decades. This particular recording, presumably offering a less polished and more immediate rendition of the song, holds a special appeal for those interested in the creative process and the interplay between artists of such stature.
While “Wanted Man” is officially credited solely to Bob Dylan as the writer, its history is intertwined with Johnny Cash. Dylan penned the song specifically for Cash to perform on his television show in 1969. The fact that this “Take 1” captures both artists engaging with the material suggests a moment of shared artistic exploration, a behind-the-scenes peek at how these musical titans approached a new composition. It allows us to witness, perhaps in its nascent stage, the evolution of a song that would become associated with Johnny Cash, even though it originated from Dylan’s prolific songwriting.
Listening to this early take likely offers a different texture and feel compared to more widely released versions. We might hear a rawer vocal delivery from both artists, a more spontaneous instrumental arrangement, and perhaps even a conversational element as they work through the song. For the discerning listener, this provides invaluable insight into their individual styles and how they might have influenced each other in the moment. Dylan’s often enigmatic and lyrically dense style, combined with Cash’s grounded, authoritative baritone, creates a compelling dynamic. One can imagine Dylan’s more abstract phrasing finding a certain weight and directness through Cash’s interpretation, even in this initial run-through.
The theme of the “Wanted Man” itself, a figure on the run, an outlaw or someone just outside the bounds of societal norms, is a recurring motif in both Dylan’s and Cash’s work. Dylan often explored characters on the fringes, while Cash built a significant part of his persona around the “Man in Black” image, often singing tales of outlaws and rebels. This shared thematic interest makes their collaboration on this particular song all the more significant. This “Take 1” likely captures a unique blend of Dylan’s poetic vision of this archetype and Cash’s lived-in portrayal of such figures. It’s a historical artifact, a sonic snapshot of two legends engaging with a song that bridges their individual artistic worlds. For those who appreciate the nuances of musical collaboration and the evolution of a song, this early rendition of “Wanted Man” by Bob Dylan and Johnny Cash is undoubtedly a captivating and insightful listening experience.
Video
Lyrics
Wanted man in IndianaWanted man in Ohio Wanted man in Texarkana Wanted man in MexicoWanted man in SacramentoWanted man in ol’ Cheyenne Wherever you may look tonight You may see this wanted manWanted man by Lucy WatsonWanted man by Jeannie Brown Wanted man by Nellie Johnson Wanted man in this next townWell I’ve had all that I wantedOf a lot of things I’ve had And a lot more than I needed Of some things that turned out badWanted man in SacramentoWanted man in Tennessee Wanted man in Oklahoma Wanted man in…Wanted man in IndianaWanted man in ol’ Cheyenne Wherever you might look tonight You may see this wanted manWell I went to sleep in ShreveportAnd woke up in Abilene Wonderin’ why the hell I’m wanted At some place half way betweenSo I went home to El PasoStopped to get myself a map Went the wrong way into Juarez With Juanita on my lapWanted man in IndianaWanted man in Mexico Wanted man in Milwaukee Wanted man in BuffaloWanted man in MinneapolisWanted man in ol’ Cheyenne Wherever you might look tonight You may see this wanted manWanted man in MilwaukeeWanted man… Wanted man…Wanted man…Wanted man Cheyenne (Jackson) Where ever Gate City Bristol