“Black Betty” is one of the most controversial songs in American music history. Originally a folk song from the 18th century, it has been interpreted in many ways — as a reference to slavery, addiction, or even racial stereotyping. Because of its ambiguous and often troubling lyrics, the song was banned from radio airplay at various points in U.S. history.
Yet despite its dark past, Tom Jones, the Welsh powerhouse known for his soulful voice and electrifying performances, boldly chose to include “Black Betty” in his 1999 album Reload. Fans and critics alike were surprised. Why would a seasoned legend revisit a song that so many had considered “cursed”?
But Tom Jones has never been predictable. His version of “Black Betty” is a high-octane blend of rock, blues, and funk — a complete reinvention. With a thunderous rhythm section and his signature vocal grit, Jones transformed the song into something bold, dynamic, and unforgettably his own.
Rather than avoid the song’s troubled history, Tom Jones tackled it head-on. His performance breathed new life into “Black Betty”, helping audiences rediscover it through a fresh, more powerful lens. Instead of echoing its past controversies, Jones elevated the track with raw energy and vocal mastery.
What’s more, “Black Betty” was not the only bold move in “Reload”. The album saw Tom Jones collaborating with contemporary artists and embracing daring arrangements. It marked a creative revival, showing that even at the peak of his career, Tom Jones was not afraid to challenge himself.
For those who once dismissed “Black Betty” as problematic or best forgotten, this version serves as a powerful reminder: music, when reimagined with heart and skill, can transcend its own past.